Wednesday, March 27, 2013

Review - Killing Them Softly



On Blu Ray and DVD - "Killing Them Softly" - This lower-budgeted, dialogue-driven, slice-of-the-crime-life film Directed by Andrew Dominik (The Assassination of Jesse James by the Coward Robert Ford 2007) moves at a laborious, almost glacial pace- potential viewers expecting an action-heavy gangster flick will be sorely disappointed.  There's less than 10 shots fired throughout, though you'll probably remember a vicious beating and a couple of "liquidations" for quite some time- the violence is decidedly graphic when it does roll around.  A nighttime "hit" at a rainy intersection, shot in slow-mo and set to Ketty Lester's "Love Letters", is particularly memorable.

Staged at the height of the recent "Great Recession" (and using the 2008 elections as a backdrop), two grungy dimwits rob a mob-protected poker game and plunge the local crime world into a financial crisis of it's own. Brad Pitt stars as the cold and calculated, no nonsense mob enforcer,"Jackie Cogan",  brought in to clean up the whole mess. Expect a neo-noirish feel to the proceedings and a wealth of appropriately dark and dreary cinematography.  A myriad of radio sound bytes and television footage featuring coverage of the economic crisis and the elections runs throughout the film- a number of  these snippets are lifted directly from the speeches of Presidents George W. Bush and (then candidate) Barack Obama as an ambitious gimmick attempting to draw a parallel between the state of the Union and the state of the crime syndicate in question.

Pitt is solid given the material, fully believable and natural in the role of a cynical, seasoned hitman.  This isn't a physically demanding role as most of his screentime is spent seated and in conversation.  I'd like to say his closing monologue concerning the death of American idealism at the hands of capitalism is on target, but then that would be rather hypocritical coming from an Actor who's accumulated an estimated net worth of above $170 Million...

Scoot McNairy (Monsters) and Ben Mendelsohn (Animal Kingdom) are the two hoodlums who steal a lot of cash from the wrong people, with Mendelsohn nailing the part of a greasy junkie who can't keep his mouth shut.  McNairy is serviceable and might just be the only character in the film you garner empathy for (there are no "good guys" here).  The film spends a relatively substantial amount of time with these two doomed simpletons and some might think they're the real stars of it.

Ray Liotta (Goodfellas) is solid in full character actor mode as the gambling proprietor undone by a past act of jealous greed.  I wish there had been more of him.

James Gandolfini (HBO's The Sopranos) is woefully underutilized as a burned out hitman while Richard Jenkins (Let Me In) plays the corporate-like intermediate who appoints Cogan to start the cleanup and pops up occasionally for progress updates.

Sam Shepard (Blackthorn) makes a couple of brief appearances as another enforcer who conspicuously disappears about midway through the film- a couple of lines address his departure, though one might feel his being cast in the part was rather pointless given the limited nature of the role.

Vincent Curatola (HBO's The Sopranos) is the opportunistic wise-guy whose ill-advised actions throw the whole story into motion, while Max Casella (Doogie Howser, M.D.) and the Rapper, Slaine, (cast as a couple of lower-level thugs) round out the faces you may recognize.

Given that the film isn't set in a remote location, it's a bit of an oddity in that there's only one minor female speaking part in the film, with a prostitute (played by Linara Washington) having only a couple of lines. 

It's a logistically sound film, though I can't wrap my head around how a serious, modern filmmaker with any concern for detail could allow a couple of close-up, slow-motion shots of a firearm expending obviously blank shell casings (the ends are crimped).  Needless to say, it bugged the shit out of me.

Killing Them Softly is a slightly above average crime tale, though you've seen the vast majority of this before and quite a bit better.  It's a little long winded and doesn't fully get it's intended point across.  Those inclined will probably walk away from a viewing thinking it was "missing something."

7.0 out of 10

Tuesday, March 26, 2013

Review - Jack The Giant Slayer


At The Theater - "Jack The Giant Slayer" - Director Bryan Singer's (The Usual Suspects, X-Men, X2, Superman Returns) Action/Adventure retelling of the English fairy tale, "Jack and the Beanstalk" is an uninspired but passable diversion that may have been better served in an expanded form and released as a Television mini-series. The cast is good (though underdeveloped across the board), the cinematography is commendable and the production values in regards to it's various set pieces are solid, yet this larger budgeted spectacle film manages to misfire on it's selling point- the Giants.  Discerning adult audiences will recognize a half-hearted, almost cartoonish effort with the special effects- the large-scaled creatures are decidedly flat and poorly rendered, thus undermining any real tension.

Warner Bros. displayed a lack of faith in the final product by delaying it's original release date by a full 9 months- a tactic which is rare given it's scope and budget ($195 Million) that also usually indicates poor "insider" reception.  The film is tonally uneven, featuring some corny dialogue and a wealth of sophomoric humor (See giants fart, pick their nose and eat boogers!), but yet too violent and frightening for younger viewers. I'm still not sure which target audience the filmmakers were aiming for.

My chief complaint would rest with the forgettable creature design and lackluster performance capture visual effects work involving the giants- they're ugly but never menacing, featuring some second-rate cgi that a host of currently popular PS3 and XBOX games would put to shame. I felt there were only a couple of fleeting closeups of the giant's faces that were marginally impressive, with the vast majority of the FX shots being disappointingly mundane.  I kept wishing that the producers had approached the rendering and scale work in a more practical manner, with makeup-heavy creature feature artists such as Rick Baker or Greg Nicotero on the job and utilizing shots like those featured in the "Lord Of The Rings" films where a towering Gandalf stood amongst the various, vertically challenged Hobbits.

Rising star Nicholas Hoult (X-Men: First Class) plays the film's titular hero, "Jack", a poor, but good-hearted farmboy in a bad situation who can't help but dream of a better life.   Jack's trip to the local market to sell a horse nets him those notorious magic beans that unleashes all the over-sized mayhem.  Audiences should get used to hearing the young actor's name over the next few years as he's sure to be considered for all sorts of higher profile roles in the future- he starred in early 2013's Horror/Comedy, "Warm Bodies", and will be featured in "Mad Max: Fury Road" and "X-Men: Days of Future Past" in 2014.  Although Hoult's shown in previous works that he's talented and has a bit of presence, he isn't really allowed to do anything special here- that's more of a knock against the script than anything else.

Eleanor Tomlinson  (Alice In Wonderland)  portrays "Princess Isabelle", an adventurous sort desperate to break from her father's stringent sense of nobility and tradition while presenting a potential love interest for Jack.  Tomlinson is solid, though I can't help but feel she may get lost in the shuffle because of how similar she looks to a number of other young actresses popping up across the field.

Ian McShane (HBO's Deadwood) is serviceable as "King Brahmwell" (Isabelle's Father), while Ewan McGregor (Beginners) is the honorable Knight, "Elmont".  McGregor gives a commendable effort in a supportive role, though I must admit it was a bit frustrating to see him take a backseat in this film. Eddie Marsan  (Sherlock Holmes) is wasted as Elmont's friend and brother-in-arms,"Crawe", in perhaps the most underwritten role of the film.

Stanley Tucci's (The Devil Wears Prada) villainous turn as "Roderick", the King's adviser, might be the most memorable part in the picture.  He's a scoundrel looking to command the army of giants and thus wrestle power from the King via an enchanted crown. Character actor Ewan Bremner (Trainspotting) plays "Roderick's" right hand cohort,  "Wicke", looking very much like what I would guess a vulture in a bad wig would look like...

The film features the vocal talents of Bill Nighy (Wild Target) as the "main head" of the two-headed, lead giant, "General Fallon", while John Kassir (the voice of the "Crypt Keeper" in Tales From The Crypt) supplies the grunts, squawks and cackles of the smaller, "mutant head"-  yeah, it was a shaky idea that should have been nixed before filming.  Rounding out the notable cast, Warwick Davis (Willow) pops up in a disposable cameo.

"Jack The Giant Slayer" isn't particularly boring nor outright stupid, though I did feel that it never really caught fire.  Even a climactic humans vs. giants showdown isn't what it could have/should have been.  The film seems a bit short (at 114 minutes) given it's epic scale and there are a few strange edits sprinkled about, which further hints at studio tinkering.  Expect a handful of references to other classic fairy tales and subsequent loose ends that appear by design- it's obvious that some of them were left as such to lead into possible sequels (which will now never happen given this film's poor box office).  If you must see it at the theater, skip it in 3D- it's a post-convert that really isn't worth the extra cost.

6.0 out of 10

Friday, March 22, 2013

Review - Oz The Great And Powerful


At The Theater - "Oz The Great And Powerful" -  Essentially a reworking of Director Sam Raimi's "Army Of Darkness" (!), with James Franco doing his best Bruce Campbell impersonation. For the most part, this prequel to 1939's The Wizard Of Oz (and it's unofficial sequel, 1985's "Return To Oz") works and works rather well. Those expecting something equal to Tim Burton's "Alice In Wonderland" would be sorely mistaken- "Oz..." is legitimately funny and outright dazzling to look at, featuring an abundance of vibrant, razor-sharp effects work that's never gaudy and doesn't overwhelm the human performances. It's a nostalgic venture conceived and executed by filmmakers who display an admirable respect for the timeless classic- Raimi provides just the right amount of his trademark ingredients to keep it lively throughout.  I enjoyed it, though when it's taken into consideration just what it had to live up to (and various problems involving it's cast), subsequent viewings will undoubtedly chip away significantly at it's replay value.

Much like Director Victor Fleming's 1939 film, Raimi and company open the tale in a "full screen" format (4:3 Academy Ratio) featuring a black and white prologue.  The setting is the dusty confines of 1905 Kansas as we're introduced to James Franco's struggling Magician, "Oscar Diggs", a traveling Circus performer with questionable ethics and delusions of grandeur. After establishing a few characters whom we'll recognize later on reinterpreted in the more fantastical setting, Oscar incurs the wrath of a jealous Strongman who's enraged to find the Magician has been flirting with his sweetheart.  Our protagonist narrowly escapes the situation in a hot air balloon, only to be whisked away by a violent tornado and introduced to the Land of Oz- now in full, glorious color and shot in the widescreen format, no less.  "Oz" (short for Oscar) is then mistaken by many of it's inhabitants as a Great Wizard who, according to prophecy, is destined to defeat the Wicked Witch and return the land to a former glory.

Some of the best aspects of this origin story involves those "little touches" supplied by Director Sam Raimi (Spider-Man 1, 2 & 3, Darkman, Evil Dead II), - fans can expect the auteur's trademarks such as frantic camera angles, wild tracking shots and spastic humor with the Director's commonly visited themes of ingenuity, the art of illusion and redemption playing an important role throughout.  Expect plenty of stranger in a strange land wonderment featuring a wealth of impressive digital backdrops and set pieces.   Strangely enough for a PG rated film, there's also quite a few frighteningly creepy moments (mostly involving some pesky, flying primates), as well- it's Raimi at his near best.

James Franco (127 Hours) gives a near-miss performance as the titular Oz- it's an expressive turn filled with cheesy grins, horrified looks and reactionary dialogue.  His character is a bit of a scoundrel, though ultimately one with a heart of gold. Although it's by far his best comedic part since "Pineapple Express" and the actor's much better than I thought he'd be, I just couldn't help but visualize other actors in the role. Robert Downey Jr. and Johnny Depp apparently declined the part and I felt both would have been excellent choices given the nature of the role and the various setups/situations throughout the film.  A fifteen years younger version of Bruce Campbell would have been perfect.  As is, Franco is serviceable and never really hurts the film- even his most ardent detractors shouldn't have too much to complain about...

***MAJOR SPOILER ALERT***

Mila Kunis (Friends With Benefits) appears out of her element as the gullible and impressionable Witch, "Thedora"-  it's her most mundane work that I can recall.  The speed in which she falls head over heels for Oscar is slightly painful to watch and might have one thinking "Well, it's a kid's movie...".  Kunis is never quite able to find a natural fit in the film and is disappointingly inadequate when her character is transformed into and unleashed as the black-clad, broom-riding, green-skinned Wicked Witch so many of us have grown up loving to hate.  The normally talented, capable young actress simply isn't able to muster the nefarious gusto necessary for the villainous turn here.  Even the signature laugh of the Wicked Witch seems dubbed...

Rachel Weisz (The Mummy) does commendable work with limited material as the scheming "Evanora", the eldest of the three Witchy sisterhood.  Looking to exploit Theodora's deep-seeded anger issues and subsequent jealousy over being deceived by Oscar, Evanora's motives (as well as the reasoning behind the fractured relationships with her sisters) aren't really all that fleshed out.  This aspect of the plot appears to have been engineered topically (in true Disney fashion) so that younger viewers could more easily follow the story- that said, it definitely could have been handled with a bit more clarity.  I would have rearranged the cast a bit to have had the veteran Weisz as Theodora as I'm positive she would have done a superior job playing the The Wicked Witch of The West.  I'm not so sure any actress could touch Margaret Hamilton's iconic turn, but I would have loved to have seen Weisz give it a try...

***END OF MAJOR SPOILER

Michelle Williams (Shutter Island) is fine as the wholesome "Glinda", ruler and protector of the good-natured Farmers, "Munchkins" and "Tinkers" of the realm.  "Glinda" ultimately falls for Oscar's charms, as well, although there is bit more depth given to the matter.  I must say I'm glad she didn't try to imitate Billie Burke's high-pitched, annoyingly sugary turn in the '39 film, though a shade more character development would have been nice here.

Zach Braff (Garden State) portrays the Magicians assistant "Frank" in the setup, later introduced as the voice of a Flying Monkey named "Finley" who's indebted to Oscar for saving his life.  Finley's a cool, comedic side-kick with a few great lines that I'm sure the little ones will enjoy.

Joey King (Ramona and Beezus) portrays a girl in a wheelchair in the prologue, later chiming in as the voice of "China Girl" in perhaps the film's finest display of special effects.  A scene in which Oz mends the porcelain character's legs is my pick for most poignant in the film.

Bill Cobbs (The Bodyguard) and Tony Cox (Bad Santa) pop in and out of the feature as "Master Tinker" and "Knuck", respectively- it's OK, though topical, character work for the two.  I would have thought this would have been a fantastic opportunity to cast such vertically challenged stars as Warwick Davis (Willow, Return of The Jedi), Verne Troyer (Austin Powers: The Spy Who Shagged Me) and Peter Dinklage (HBO's Game Of Thrones), but oh well...

"Oz The Great and Powerful" is not a musical- a brief segment where the Munchkins introduce themselves via song and dance is stopped short by Raimi as if the Director were making a "I'm not having any of that!" statement.  I'm of the mindset that just one well-conceived and choreographed number, or singing performance from any of the three female leads, couldn't have hurt matters.  I think it's a misstep by the producers/filmmakers.

Overall, "Oz The Great And Powerful" comes Highly Recommended for what it's worth: a  funny, occasionally creepy and outright visually impressive fantasy film with a throwback feel. Fans of the original 1939 film should have a good deal of fun recognizing a myriad of references to it, complete with the obligatory yellow brick road and multi-colored horses grazing in the distance.  Be sure to check it out in 3D for maximum enjoyment, but be forewarned; those damned flying, shrieking baboons might scare the hell out of the little ones- mixed in with all the youngsters laughter was more than a couple exclamations of, "Mommy, I'm scared!"...

Oh yeah, expect a cameo from the Cowardly Lion and an inept Winkie Guardsman that looks curiously like Bruce Campbell...

8.0 out of 10

Wednesday, March 20, 2013

Review - Dead Man Down


At The Theater - "Dead Man Down" - This dark and violent revenge thriller Directed by Niels Arden Oplev (the guy who brought us the original "The Girl With The Dragon Tattoo" film) and starring Colin Farrell, Noomi Rapace and Terrence Howard is absolutely plagued with ridiculous implausibilities- something I have precious little tolerance for given the serious, grounded tone. I'd chalk it up as one of the more frustratingly disappointing experiences I've had watching a theatrically released film in quite some time- so many positive elements in place only to be suffocated by a choppy narrative and a brain-dead script that shoots itself in the foot time and time again. It'll end up on my worst of 2013 list and comfortably so.

Colin Farrell (Seven Psychopaths) stars as second tier mobster's (Terrence Howard) right-hand henchman who, unbeknownst to his boss and fellow gang members, has infiltrated the syndicate in a complex scheme to exact revenge against those responsible for the death of his wife and child. Thinning the ranks of the bad guys while leaving behind little jigsaw pieces of a family photo would be the chief running gimmick amongst countless other components of our hero's plan (I don't see the point of listing them) that are so illogically contrived and inherently flawed that even the most gullible movie-goers will have a hard time buying into it's DTF (designed to fail) engineering. This might have been a great 30 minute short had it just gotten to the point instead of over-complicating itself with all the unnecessary malarkey...

Farrell once again shows fleeting glimpses of a substantial talent that the actor can't quite fully tap into for any considerable length of time- he's a capable actor that's rarely been able to exude a commanding presence in any of his more action/thriller oriented roles.  His "Victor" is a haunted sort and man of few words (or expressions) who's never really able to secure any kind of empathy.  The roundabout route to completing his ultimate task at hand only works to further alienate him from a discerning audience.  It's a forgettable role amongst a filmography of many (I believe there's only a precious few notable exceptions) for Colin Farrell.

Noomi Rapace (The Girl With The Dragon Tattoo 2009) co-stars as the scarred beautician looking to exploit Victor's death-dealing prowess for her own vengeance-minded purposes only to predictably fall for the fractured kindred spirit- the Swedish actress is solid here though there's a few tonal shifts involving her character that throws the performance off balance. The relationship between the two is a bit strange, ham-fistedly forced and never believable.  Even with all of those light scars covering one side of her face, she's still sexy as hell, though.

Terrence Howard (Crash) is serviceably slick as the target of Victor's vengeance, while Dominic Cooper (Captain America: The First Avenger) puts in OK work as the criminal crew member charged with investigating the deaths of his cohorts.

French superstar Isabelle Huppert (Amour) makes a handful of painfully brief, scene-stealing appearances as Rapace's hearing impaired mother while F. Murray Abraham (Amadeus) is wasted as Farrell's wisdom-spewing confidant.  Armand Assante (I, The Jury) pops up in a disposable cameo as a token Godfather-esque crime lord.


Skip this pretentious, mirthless TURKEY (I can't recall one decent laugh) and check out any number of satisfying, level-headed revenge flicks like The Professional, Taken, Payback, Man On Fire, Haywire, Edge Of Darkness, Revenge, Kill Bill 1 & 2, The Limey, Rolling Thunder or The Brave One instead.

4.0 out of 10

Saturday, March 16, 2013

A Photo List - All-Time Favorite Sports Movies


Favorite Sports Films- In Alphabetical Order -

  1. The Bad News Bears
  2. Bite The Bullet
  3. Breaking Away
  4. Bull Durham
  5. Caddyshack
  6. The Champ
  7. Cinderella Man
  8. Diggstown
  9. Every Which Way But Loose
  10. Goon
  11. Hard Times
  12. Hidalgo
  13. Hoosiers
  14. Horse Feathers
  15. Jerry Maguire
  16. Kingpin
  17. The Longest Yard
  18. Major League
  19. Million Dollar Baby
  20. Mr. Baseball
  21. Mystery Alaska
  22. The Replacements
  23. Rocky Balboa
  24. Slapshot
  25. Tin Cup