Sunday, April 27, 2014

A Film List - 60 Worthwhile Movie Picks From 2013

This marks my list of the films released in 2013 that I felt were worthwhile.  From guilty pleasures to the absolute best, I adhered to one simple criteria in the form of a question- Which films did I like and would I want to see them again at some point in the future... 


In alphabetical order-
  1. 2 Guns
  2. 12 Years A Slave - Best Drama of 2013 and Best Overall Film
  3. About Time - Best Romantic Comedy
  4. Ain't Them Bodies Saints
  5. All Is Lost
  6. American Hustle
  7. Before Midnight
  8. Big Bad Wolves - My Favorite Foreign Film of 2013
  9. Blue Is The Warmest Color - Best Performance From A Leading Actress - Adèle Exarchopoulos
  10. Bullet To The Head
  11. Byzantium - Best Vampire Flick
  12. Captain Phillips
  13. The Conjuring - Best Horror Film
  14. The Croods
  15. Dallas Buyers Club- Best Performance From A Leading Actor - Matt McConaughey
  16. Despicable Me 2 - Best Animated Film
  17. Disconnect
  18. Drinking Buddies - My Favorite Film Of 2013
  19. Enough Said
  20. Epic
  21. Escape Plan
  22. Frances Ha - Best Film You Probably Didn't See In 2013
  23. Grabbers
  24. Gravity - Best Sci-Fi Film & Sharpest Visual Treat
  25. The Heat
  26. The Hobbit: The Desolation Of Smaug - Best Fantasy/Adventure Film & Best Sequel
  27. The Hunt - Best Foreign Film of 2013
  28. In A World...
  29. Inside Llewyn Davis - Best Soundtrack
  30. Kick-Ass 2
  31. The Last Stand
  32. The Lone Ranger - Most Unnecessarily Trashed Film
  33. Lone Survivor - Best Action Film
  34. Monster's University - Best Prequel
  35. Mud
  36. The Numbers Station
  37. Oblivion - Best Original Score
  38. Oz, The Great and Powerful
  39. Pacific Rim - Best Creature Feature
  40. The Place Beyond The Pines
  41. Prisoners - Best Thriller
  42. RED 2
  43. Redemption
  44. Riddick
  45. Rush - Best Sports Film
  46. Short Term 12
  47. Side Effects
  48. Star Trek Into Darkness
  49. Stoker
  50. Sushi Girl - Best "B" Movie
  51. Sweetwater
  52. This Is The End - Best Comedy
  53. Thor: The Dark World - Best Superhero Film
  54. Upstream Color - Best Mind Trip
  55. Warm Bodies - Best Zombie Flick
  56. We Are What We Are - Best Remake
  57. The Wolf Of Wall Street
  58. The Wolverine - Best Comeback For a Franchise (X-Men Origins: Wolverine sucked)
  59. The World's End
  60. You're Next - Best Slasher Flick

Tuesday, April 22, 2014

Review - Grabbers (2013)



On DVD and Blu Ray - "Grabbers" (2013) - An island community off the coast of Ireland is besieged by enormous, tentacled, bloodsucking aliens in this Irish/British-produced Sci-Fi/Horror/Comedy.  With the body count rising, a small band of authorities realize that the invading creatures have an aversion to alcohol-laced blood- what better reason to get totally shit-faced?  Yes, this is essentially a "re-working" of 1990's Tremors, though I found it to be an unexpected and worthwhile treat that covers all the basics of solid monster-movie making.


Richard Coyle is the alcoholic cop ("Garda" in Ireland) who reluctantly partners up Ruth Bradley's newbie who is on a limited, two-week assignment.  Though the relationship starts off a bit rocky, the two are forced to work together once cases of strange happenings, missing people and severed appendages start to pile up. Coyle is likeable and has presence while Bradley is cute and has a solid grasp of comedic timing. 

Yes, there's a scientist who enters the fold, played by Russel Tovey, and a crusty old town drunk (who has most of the film's best one-liners) in Lalor Roddy.  The acting is well-done across the board, even from bit players and creature fodder.

There is an obligatory romance between the two leads that's a bit undercooked and the island is conveniently devoid of any children. Furthermore, the film is missing a polishing once-over and that one "great" kill that defines all lasting monster flicks.


That said, watch it for the game cast, a solid spattering of humor throughout, the gorgeous cinematography (shot on location in County Donegal and County Antrim, Ireland) and the surprisingly well-done creature FX work.  Maybe most importantly, the film doesn't crap the bed with an awful, incoherent ending like most American horror films.  There's a pretty cool reference to Aliens, as well...

Recommended for fans of Creature Features who are desperate for a quality fix.

8.0 out of 10

Director: Jon Wright
Cast: Richard Coyle, Ruth Bradley, Russell Tovey, Lalor Roddy, David Pearse and Bronagh Gallagher
Run-Time: 94 minutes
MPAA: Rated R for blood and gore with profanity and heavy drinking throughout


Review - Upstream Color (2013)



On DVD and Blu Ray - "Upstream Color" (2013) - This Sci-Fi/Drama from Writer/Director/Actor Shane Carruth (Primer) concerns a young woman (Amy Seimetz) who is abducted and becomes the victim of strange mind-altering experiments- awakening from her ordeal with no memories of the occurrence but devastated by it's aftermath, she fatefully encounters a kindred spirit (Shane Carruth) who may have experienced the same series of events.

This is the cinematic mind trip of 2013- it's a story that concerns worm-like parasitic organisms, mind control, stolen identities, blue orchids, Henry David Thoreau's "Walden", hypnotism, metaphysics, the cycles of nature, water, infrasonics, symbiotic relationships and pigs... lots of pigs.  For the first ten minutes of the film, I found myself wondering aloud, "What the fuck have I gotten myself into?!"  Luckily, I stayed the course and gave it my undivided attention to find one of the most strangely rewarding and original film experiences of the last few years.



Expect a complex but heady mystery concerning two fractured souls in a state of flux who turn to one another in an attempt to rebuild their lives and overcome an unexplained loss. The sensual, poetic imagery throughout is reminiscent of a Terrence Malick film, though this particular narrative grew on me as I became more involved with trying to make sense of it all- there's an undeniable weight behind the images, all pieces of a well-crafted and intricately detailed puzzle. There are a myriad of themes at work here which I'll leave up to any potential viewer's scrutiny to examine further...this just may prove to be a film that many will have to watch a number of times to fully grasp and appreciate. I'll be damned if this also doesn't work as a love story.

Amy Seimetz (You're Next) is excellent as the haunted main protagonist, "Kris", while Shane Carruth is solid in support as her lover, "Jeff"- Carruth also acts as Writer, Director, Producer, Editor and Composer here, with his original motion picture score quite an exceptional piece of work, as well.  Cinephiles have lauded Carruth as a filmmaker to keep tabs upon, though I hope he doesn't wait another decade to produce a film.

Upstream Color is for every movie lover who longs for something intelligent and original- everyone else need not apply.

Highly Recommended


9.0 out of 10


Director: Shane Carruth
Cast: Amy Seimetz, Shane Carruth, Andrew Sensenig and Thiago Martins
Run-Time: 96 minutes
MPAA: PG-13, for brief disturbing violent images, some sensual content, and a swear word.

Review - Nebraska (2013)



On DVD and Blu Ray - "Nebraska" - Alexander Payne's (About Schmidt, Election) assault on the Midwest and it's inhabitants continues with this painfully forced and stagey misfire- it's filled with Payne's signature goofballery and trite dialogue, though this particular outing is decidedly uninspired, with the seemingly stilted and half-heartedly rehearsed delivery from the majority of it's cast and a series of underwhelming situations quickly grounding out the story in boring territory.  This is one of the weaker Academy Award Best Picture nominees since... well, since 2012's terminally shitty Beasts Of The Southern Wild.

Bruce Dern (The 'Burbs) stars as the elderly, addled alcoholic who's convinced that he's won a million dollars from one of those annoying marketing sweepstakes junk mail ploys.  After a handful of attempts to make the trip from Montana to Nebraska on foot to claim his prize are thwarted by local authorities, his estranged son (Will Forte) reluctantly agrees to drive him to his desired destination in an effort to appease him.  June Squibb (About Schmidt) pops in and out of the picture as the matriarch of the family who's fed up with her husband's antics.

The film is essentially a road picture, with Father and Son making several stops along the way to visit beer joints and extended family- funny how every single character who pops up in support is a greedy simpleton or an outright idiot... those familiar with Payne's work should recognize his obvious disdain for rural folk- his penchant for presenting them as shallow caricatures has grown tiresome and has run it's course, too bad those powers-that-be in Hollywood continue to pass this garbage off as "authentic".  Then again, considering the sensibilities at work, I guess that pretty much figures.


Dern's performance here is listless, mainly consisting of the maddeningly repetitive inquisitiveness of a elderly person who refuses to use a hearing aide- it's meant to be funny as an ongoing gag but quickly grows redundant in it's adolescent employment.  The 76-year-old actor is still very talented and can be gruffly likeable- the material, and direction, just isn't there with this outing.

Will Forte speaks with some kind of double near-sneer as he conveys dialogue- it's distracting, but not nearly as bad as his acting here.  June Squibb was nominated for an Oscar for her supporting role- must have been a VERY lean year for quality acting from actresses in the category...

The only true positives I could pull from this film was the gloriously stark black and white cinematography, courtesy of Phedon Papamichael, and a humorous segment where Forte's character and his brother (Bob Odenkirk) attempt to retrieve a long "borrowed" generator from a farmhouse.

My call is to skip this pretentious, amateurish affair- it's one of the more highly overrated releases of 2013.

5.5 out of 10

Director: Alexander Payne
Cast: Bruce Dern, Will Forte, June Squibb, Bob Odenkirk and Stacy Keach
Run-Time: 115 minutes
MPAA: Rated R for some language

Review - Sweetwater (2013)



On DVD and Blu Ray - "Sweetwater" - I was pleasantly surprised by this competent little revenge Western- it's a helluva lot better than it's trailer, one that had me steering clear of the flick for months.  A good friend kept ribbing me to give it a chance and I'm quite glad he did.  It's a quality Western in a cinematic year where the genre was woefully thin. 

January Jones (X-Men: First Class) essentially stars as a former prostitute looking to go the straight and narrow with her new husband, played by Eduardo Noriega (The Devil's Backbone).  Jason Isaacs (The Patriot) is the murderous religious leader "cleansing" the countryside of undesirables while Ed Harris (The Rock) portrays the grizzled and enigmatic Sheriff who rides into the territory searching for two travelers who recently disappeared in the area.


I've previously felt January Jones is a horrible actress, yet the narrative doesn't rely too heavily on her to emote or carry the film with extensive dialogue- she ultimately ends up as the embodiment of revenge, laying waste to the despicable sorts who have wronged her in crowd-pleasing fashion.


Jason Isaacs is once again a stellar villain, an imposing, sadistic preacher who oozes menace in every scene he's in.  I'm of the mindset that the English actor shouldn't even attempt to play anything but bad guys from here on out.


Ed Harris is absolutely delightful (and often legitimately funny) as the whirling dervish of justice who handles the lion's share of the film's best dialogue with aplomb.  He steals the film outright in a role that's somewhat reminiscent of his prior turn as a frontier lawman in 2008's Appaloosa.

Country and Western music fans should keep an eye out for musician/performer Jason Aldean as one of the bloodthirsty preacher's henchman.

Sweetwater utilizes a lower budget quite nicely and sports some fine cinematography of the beautiful Sante Fe and Abiquiu, New Mexico landscape.  Although I wasn't too keen on an extended segment concerning a ballistics report, I found very little wrong with the narrative's logic.  Although there are a few strange poetic excursions sprinkled about, their placement and execution worked well within the scope and tone of the film. 

This is violent and bloody material, a little weird here and there, but entertaining throughout and well worthwhile for fans of the Western genre.  With the box-office failure of Disney's mega-budgeted The Lone Ranger, even smaller releases of this nature might be hard to come by for the foreseeable future.

Recommended

8.0 out of 10

Director: Logan Miller
Cast: Ed Harris, January Jones, Jason Isaacs, Eduardo Noriega, Stephen Root and Jason Aldean
Run-Time: 95 minutes
MPAA: Rated R for strong violence, language, some sexual content and graphic nudity

Tuesday, April 8, 2014

Review - Noah (2014)


At the Theater - "Noah" (2014) - Director Darren Aronofsky's (Black Swan, The Wrestler, Requiem For a Dream) retelling of one of the more popular biblical stories is given a Lord of The Rings style treatment in regards to scope, though it's more reminiscent in tone and execution to Kevin Costner's much-maligned epics The Postman and WaterworldI almost expected the titular character to discover a half-buried Statue Of Liberty once the Ark made landfall, as this could have easily passed for a futuristic, post-apocalyptic tale... complete with ROCK MONSTERS!  Noah is clunky and derivative, intermittently hamstrung by muddled direction and confused with its own messages. 

According to this particular "re-imagining", The Creator (because calling him God isn't politically correct) wishes to destroy man mostly because he's become a nasty meat-eater - yes, this is a vegetarian's and anti-hunter's propaganda film. Strange (manipulative) how the filmmaker's decided not to show any children/infants perish with the "cleansing" deluge, only violent, bloodthirsty, Adult Male (99.9% of 'em, that is) heathens.  Furthermore, I couldn't help but wonder how Noah and his family came across their clothing... C'Mon, Man!


Russell Crowe supplies the titular Patriarch and puts in solid work here- most will find themselves conflicted over just how they felt about his character.  It's a complex turn that I felt Crowe handled with aplomb- I just wish it had been in a better film.  Faced with recurring visions which he perceives to be the will of The Creator, Noah believes it to be his destiny to build an Ark in order to harbor innocent creatures large and small before an impending flood cleanses the world of all other humanity.

Ray Winstone supplies the token villain "Tubal-cain"- a vile, invasive King determined to hitch a ride on Noah's Ark- yes, that pretty much complicates matters.

Jennifer Connelly is Noah's wife, "Naameh"- the actress absolutely shines in one particular scene, though is mostly relegated to background shots.

Anthony Hopkins pops up a few times as the enigmatic "Methuselah" while Emma Watson is "Ila", an orphaned girl that is taken in by Noah and his family.

Douglas Booth, Logan Lerman and Leo McHugh Carroll are Noah's three sons, "Shem", "Ham" and "Japheth", respectively.  I wasn't too taken with any one of their performances, though Lerman's Ham is the most dynamic of the three.


The family starts to fracture under the pressure of the task at hand, with Noah adamant that his immediate family be the last remnants of humanity.  This doesn't sit with two of his sons, with Shem latching onto Ila and hoping to have a family of his own while the teenaged Ham longs for a companionship he has yet to experience.

Noah and family are aided by enormous rock creatures known as The Watchers in the task of building the Ark in a more rapid and efficient manner (because 55 to 75 years worth of building ain't happenin' in a movie)- The Watchers are fallen angels who have utilized their earthy surroundings to form a tangible existence (think the "Ents" in the Lord Of The Rings films).  The effects work regarding The Watchers is rather impressive, though I'm not so sure they should have even been in the film.  The voices of these behemoths are supplied by Nick Nolte, Frank Langella, Kevin Durand and Mark Margolis.


The cast is game across the board, there is one extremely tension-filled scene involving the impending demise of two infants and Aronofsky's handling of several dream sequences and prophetic visions is technically brilliant.  There's too much surrounding these aspects that seems tired and goofy- a couple beats off its intentions.  Strange tonal shifts also work to undermine the narrative- I'm guessing the inclusion of crude welder's masks and makeshift rocket-launchers was supposed to translate in the overall timelessness of the affair, but it just didn't work that way for myself.

Every now and then a highly talented filmmaker gets a wild hair up his butt to tackle something out of his comfort level and ends up trying to pound a square peg into a round hole- perhaps an atheist filmmaker's take on a religious story wasn't such a good idea.

Those that are unfamiliar with this particular story... well, maybe this was made with you in mind.

6.5 out of 10

Director: Darren Aronofsky
Cast: Russell Crowe, Jennifer Connelly, Ray Winstone, Anthony Hopkins, Emma Watson, Logan Lerman, Douglas Booth, Martin Csokas and Leo McHugh Carroll
Run-Time: 138 minutes
MPAA: Rated PG-13 for violence, disturbing images and brief suggestive content

Review - Muppets Most Wanted (2014)



At the Theater - "Muppets Most Wanted" (2014) -The Muppets return in their eight theatrical film, a welcomed improvement over 2011's disappointingly stagnant The Muppets and much, much closer in tone and in spirit to the 1979 original film. I felt a little foolish (and a bit sad) being in an empty theater to watch this, though it was well worth it.

The film begins mere seconds after the events in the previous film, with Kermit and Company left undecided on just what to do next.  Swayed by the charms of Ricky Gervais's dubious international talent manager, "Dominic Badguy", the Muppets elect to embark on a world tour.  Just as their tour begins, and unbeknownst to the rest of the crew, Kermit is mistaken by authorities as the world class thief at large (and amazing lookalike), "Constantine".  While Kermit is whisked away to be held in a Siberian Gulag by an infatuated prison guard,"Nadya", played by the very sexy Tina Fey (her Russian accent only adds to the sexiness!), Constantine assumes Kermit's identity and uses the tour as a cover for his epic crime spree.  Ty Burrell's French Interpol Agent "Jean Pierre Napoleon" and Sam The Eagle join forces to crack the mounting cases of art robberies which curiously coincide with the Muppets nearby performances...


I felt that 2011's The Muppets quickly bogged itself down with unnecessary subplots and spun it's wheels for the vast majority of the film, never really igniting as high entertainment and rarely any kind of fun- it featured too much of Jason Segel and Amy Adams and not nearly enough of the Muppets themselves (there's a heckuva joke in Muppets Most Wanted, involving "Robin", aimed at one of these "problems").  The expected cameos in the 2011 film were woefully thin as well.

Muppets Most Wanted is a return to form in that the musical numbers are energetic and catchy while the cameos are plentiful and come at a brisk clip- I came to the realization that I was tapping my feet along with a few of the songs.  As far as the cameos are concerned, expect a great mix of certified stars and character actors alike.  ***I've listed them at the bottom here for those who would rather not have them spoiled.  The humor is solid throughout and is often of the self-deprecating and tongue-in-cheek variety.

Things are looking pretty grim for this film at the U.S. Box Office and there's no good reason for that- the creative drive at work here and the resultant legitimate fun is comparable to any one of Disney's last few highly successful animated flicks (yes, even that girly-girl ice-princess flick with the annoying, goofball snowman thingy).  It's fairly evident that today's children are more interested in the whizz-bang digital effects utilized in those films and have a waning desire to see their characters made of reticulated polyfoam, armature wire and antron fleece- if that's the case, we've all lost something along the way.

Highly Recommended, check it out in Theaters.

8.5 out of 10

Director: James Bobin
Cast: The Muppets, of course!  - with Ricky Gervais, Tina Fey and Ty Burrell
Run-Time: 107 minutes
MPAA: Rated PG for some mild action


***Cameos include: James McAvoy, Tony Bennett, Lady GaGa, Hugh Bonneville, Jemaine Clement, Sean Combs, Rob Corddry, Celine Dion, Zack Galifianakis, Josh Groban, Salma Hayek, Tom Hiddleson, Tom Hollander, Toby Jones, Frank Langella, Ray Liotta, Ross Lynch, Chloe Grace Moretz, Usher Raymond, Miranda Richardson, Saoirse Ronan, Til Schweiger, Danny Trejo, Stanley Tucci and Christoph Waltz

Review: Captain America: The Winter Soldier (2014)


At the Theater - "Captain America: The Winter Soldier" (2014) - Where Captain America: The First Avenger was a pulpy, nostalgic WWII-era throwback, this particular sequel is a modern-day, politically motivated conspiracy thriller- I'm of the mindset that the sharp contrast was necessary due to current sensibilities, with the film's narrative effectively taking advantage of the governmental corruption and big-brother induced paranoia frequenting today's headlines.  The filmmaker's obvious commitment to utilizing practical effects and stunt-work (in the first two acts, anyways) is highly commendable, and although this is indeed a darker, edgier foray that is undeniably entertaining, the film is missing that indefinable "it"...


Chris Evans returns as "Captain Steve Rogers"- our hero is thrust into a labyrinthine espionage tale that finds him less and less trusting of his superiors and accomplices while trying to secure and decode a McGuffin in the form of a coveted USB flash drive.  Branded a traitor and heading for a showdown with an enigmatic, metal-armed assassin known as "The Winter Soldier", Cap uncovers a plot with deep seeded roots, complete with the fate of millions hanging in the balance.

Evans, appropriately swollen and showing veins of charisma, once again supplies an effective embodiment of integrity and idealistic American justice- that said, the 32 year-old-actor's face is a bit too boyishly soft in close-ups and I found myself puzzled that this 95-year old super-soldier was wearing so much noticeable facial makeup.  Couldn't the filmmakers have allowed for just a little bit of stubble?  Evans has presence and believability is never an issue with him continuing the role- I just hope he looks a little more "natural", less "pretty" next time...

Samuel L. Jackson returns as "Nick Fury" and is given much more to do this go 'round- an extended ambush sequence involving the one-eyed Director of S.H.I.E.L.D. is pretty damned snazzy.  I'm not a fan of Jackson, though he continues to make the role his own.

Scarlett Johansson (Iron Man 2) brings sexy back as "Black Widow", with a handful of impressive fight scenes to showcase the character's deadly nature.  It appears a stand-alone Black Widow film is scheduled for sometime in the next few years and I would expect Johansson to return.


Veteran screen legend Robert Redford (3 Days Of The Condor) supplies "Alexander Pierce", a senior S.H.I.E.L.D. official whose motives keep the audiences guessing- his role here is much, much more than just a glorified cameo.  Redford's presence adds a strange legitimacy to the proceedings, though maybe that's because I never thought I'd see him in a film of this nature.


Anthony Mackie's (The Hurt Locker) "Sam Wilson/The Falcon" makes his debut here, portraying the genial war vet who, along with his familiarity with a winged-jet pack, is called back into action to aide Cap and Black Widow.  Those unfamiliar with Mackie should get used to him- he's been relegated to supporting turns (as he is here) though I have a good notion that's just about to change.


Sebastian Stan (Black Swan) portrays "The Winter Soldier"- yes, this is the return of Cap's long lost sidekick and best friend, "Bucky Barnes", who audiences last saw falling into a deep chasm in The First Avenger as a helpless Cap looked on.  Barnes has been brainwashed and "reprogrammed" by the villainous faction, "HYDRA", for the last 70 years- I find it interesting that the producers stepped around his origins in the comics, which featured the character as a Soviet weapon...



Frank Grillo (End Of Watch) supplies Cap's S.T.R.I.K.E. team member "Brock Rumlow"- comic fans are more familiar with him as the mercenary "Crossbones", though he's never referred to as that here.  UFC Welterweight Champ Georges St-Pierre appears as "Georges Batroc" (better known as Batroc The Leaper), an Algerian Pirate who squares off against our main hero early in the film.  The scarred and skewered-eyed Callan Mulvey (300: Rise Of An Empire) is yet another S.T.R.I.K.E. operative while Emily VanCamp may prove to be Cap's next love interest.


Other returning Marvel Movie Alumni include the pretty Cobie Smulders (The Avengers) as S.H.I.E.L.D. agent, "Maria Hill", Gary Shandling (Iron Man 3) as a stuffy Senator and Maximiliano Hernandez (Thor) as a S.H.I.E.L.D. liaison.  Hayley Atwill reprises her role as the elderly version of Cap's former love interest, "Peggy Carter", from the first film- the effects work regarding her aged look is outstanding.  Toby Jones (The Mist) makes a brief appearance as HYDRA's premiere scientist, "Dr. Arnim Zola".

Expect a myriad of references to Tony Stark and Stark Industries, with one shout out to some guy named Stephen Strange.  Stay alert during Cap's visit to the Smithsonian and have fun trying to place the exhibit's narrator.  I'll remember this film as having my favorite Stan Lee cameo to date, while there's also a cameo from comic writer Ed Brubaker, essentially the Father of The Winter Soldier storyline.

Very cool to see veteran British actress Jenny Agutter (An American Werewolf In London) pretty much save the frickin' day...in a sense, that is.

A few problems with the film- 

- Cap carried and used firearms in large stretches of the modern comics as well as in "The First Avenger" (Thompson machine gun, .45 model 1911) where he never utilizes a firearm in any manner in this sequel- what's changed and why? Also, Falcon, Black Widow and Nick Fury are brandishing weapons against the bad guys while Cap rushes headlong merely holding up his shield in defense- none of the villains are smart enough to go for his legs? Not one errant shot accidentally grazes him? Pretty damned goofy and nonsensical if you ask me, without any supplied reasoning behind his 

- Perhaps what bothered me the most with this particular film was it's predictability and a lack of gravity- none of the principle players really die and stay dead in these films and  it's almost impossible for an audience to be expected to hold their collective breaths when any one of these super-powered characters is clinging by their fingernails miles above earth.

- Lastly, composer Henry Jackman's uninspired and completely forgettable original musical score does very little for the film.  I ask again, what the hell is happening with memorable theme music for these particular characters?


It's quite noteworthy that the Directors Joe and Anthony Russo's only other widely released theatrical offering was 2006's awful You, Me and Dupree- what a turnaround!  The action here is all effectively staged, though there is still that intermittent shaky cam and a few too many editing cuts involved with the close quarters combat for my tastes.  There's a rather large amount of gunplay and hand-to-hand skirmishes, one worthwhile car-chase and a climactic sequence involving our heroes attempting to bring down three Helicarriers which is as visually impressive and as sharp effects-wise as any segment featured in any prior Marvel Movie.  I found very little to pick at involving the film's logic, which is a rarity for myself in regards to superhero films of this particular scope.  I was also impressed with a healthy amount of smaller character-building moments strewn about, while there is a few nice touches of humor for levity's sake.


I grew up reading pulp novels and comics and appreciate what many would consider "outdated" characters like Doc Savage, The Shadow, Sgt. Rock, Tarzan, The Avenger, Zorro, The Lone Ranger, etc., thus I appreciated the first installment (and it's pulpy tone) in this franchise a bit more.  I also felt it had a bit more heart and actually ended on an effectively sad note- in short, it was more of an emotional ride than this sequel.

Overall, The Winter Soldier still comes Highly Recommended and deserves to be seen in theaters.  For those who do make the trip, there is one mid-credits scene (worthwhile to comics fans) and one post-credits scene (an OK tack-on).  Captain America will return in Avengers: Age Of Ultron...

8.5 out of 10

Director: Anthony and Joe Russo
Cast: Chris Evans, Samuel L. Jackson, Scarlett Johansson, Robert Redford, Sebastian Stan, Anthony Mackie, Cobie Smulders, Frank Grillo, Georges St-Pierre, Maximiliano Hernandez, Emily VanCamp, Hayley Atwill, Toby Jones, Callan Mulvey, Jenny Agutter and Garry Shandling
Run-Time: 136 minutes
MPAA: Rated PG-13 for intense sequences of violence, gunplay and action throughout

For what it's worth- 

The Avengers - 9.0
Iron Man - 8.5
Iron Man 2 - 8.0
Iron Man 3 - 6.5
Captain America: The First Avenger - 8.5
Hulk - 5.0
The Incredible Hulk - 6.5

Thor - 7.5
Thor: The Dark World - 8.5